Review: Git Some

Git Some
Loose Control
Alternative Tentacles

While Git Some gets all the credit it deserves for being a blistering live band, its visceral, multi-layered approach to song-craftsmanship is generally lost in the fury. The group’s second record, Loose Control, is a testament not only to the passion of its live act, but also to its capacity to write songs that are as ambitious as they are scarring. Lead singer Luke Fairchild’s presents darkly personal laments, (“How can you even call this a home when heat is a luxury / Cold surrounded by dirt / I’m having trouble staying clean”) that reflect a brutal inner-turmoil with unrelenting fervor—especially when it’s all sung/screamed with a mixture of melodic crooning and throat-taxing immediacy. Meanwhile, the band’s rhythm section drags a multitude of genres—punk, post-punk, grunge, hardcore, stoner-rock—across a variety of odd time signatures, face-melting riffs, and seismic shifts in song-structure. The album’s opener, “Cool Guys Like You Out of my Life” is a muddle of gnarled punk intensity that yields to the driving powerhouse of a follow-up, “Always the Hard Way,” a track that plays to all the group’s strengths: the pounding, tempo-transforming drumming of Andrew Lindstrom, the frenzied intricacy of guitarist Chuck French, and the potent runs of bassist Neil Keener. Loose Control is a deliberate dose of haunting, unrelenting fervor that isn’t afraid to blast through its own lamentations.